Jul
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Martes, 10 Diciembre 2024 12:08
There are no diameters for squares; let us just make that clear.
Diameter only applies for circles (Line that
goes through centre of circle and touches edges). However, diameters in squares would be simply length(but went through
centre). Therefore it could be anywhere between 15-~21.2132.
(Straight length/width or diagonal or anywhere else.)
Hope this helps :D
(I'm Australian-centre, not center)
Martes, 10 Diciembre 2024 11:59
Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom', leading to a mixed bag of reviews.
The film sees the return of Joaquin Phoenix's Oscar-winning portrayal
of Arthur Fleck/Joker and the addition of pop powerhouse Lady Gaga as Joker's love interest Harley Quinn.
Premiering to a full house at the Venice Film Festival on Wednesday,
the eagerly awaited sequel to Todd Phillips' billion-dollar hit divided
critics.
While some found it 'superior' to the acclaimed 2019 film and lauded
the performances of both Phoenix and Gaga, others
slammed Joker: Folie à Deux as 'derivative' and devoid of 'fun.'
DailyMail's Brian Viner called the movie musical 'audaciously different in style from
the original, not quite as electrifying, but bold and brilliant all the same.'
Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom',
leading to a mixed bag of reviews
While some found it 'superior' to the acclaimed 2019 film and lauded the performances of
both Phoenix and Gaga, others slammed Joker:
Folie à Deux as 'derivative' and devoid of 'fun'
Read More
Lady Gaga puts on a loved-up display with her fiancé Michael Polansky at Joker premiere
Owen Gleiberman appeared a bit less impressed in his review for Variety, writing that the 'cracked jukebox musical' had an audacious
concept, 'but in a basic way it's an overly
cautious sequel.'
IndieWire's David Ehrlich took a bit of a harsher tone,
saying the 138-minute flick is 'boring, flat, and a criminal waste of Lady Gaga,' adding it feels 'bad
on purpose.'
He added: 'Phillips has created a corporate pop spectacle that all but demands to be seen as something
else.
'Here is a movie that perversely denies audiences everything they've been conditioned to want from it;
gently at first, and then later with the unmistakable hostility of a
knife to the gut.
'And that, more than anything else, is why Folie à Deux adopts
the form of a classic musical: Because no other genre makes it so easy to appreciate all
the fun you're not having.'
In contrast, Alex Harrison of ScreenRant describes Joker: Folie à Deux as a more refined sequel designed to provoke fans of the original film.
'Joker: Folie à Deux has more coherent things to
say about fan culture than it or its predecessor does about
mental illness, which, for me, makes it the superior of
the two,' he stated.
Deadline's Pete Hammond praises the film as 'brilliant' and lauds the performances
of the leads.
'Phoenix knows this character inside and out,
and in what others might say is a risky proposition, he
tap dances, sings and sells this role like no other — if not topping his Oscar-winning turn in Joker, at least finding a way to take him in different, wholly surprising direction.
'Gaga is smartly low-key, not the Harley Quinn we
associate with Margot Robbie, but her own person, dressed down and believably showing
affection and connection with Joker and, more important, the
man behind the makeup.'
The Hollywood Reporter says Joker: Folie à Deux feels 'narratively a little thin and at times dull… This sequel is built on more of a conceit
than a solid story foundation.'
'Even more than its predecessor, Joker: Folie à Deux reduces the archvillain to
a hollowed-out product of childhood trauma and mental illness.
Which means there's little we didn't learn last time,' added
the outlet's David Rooney.
The Guardian's Peter Bradshaw wrote, 'There's a great supporting cast and a barnstorming
first act but Todd Phillips's much-hyped Gotham sequel proves claustrophobic and repetitive.'
DailyMail's Brian Viner called the musical 'audaciously different in style from the original, not
quite as electrifying, but bold and brilliant all the same'
Owen Gleiberman appeared a bit less impressed in his review for Variety , writing that the 'cracked jukebox musical' had an audacious concept, 'but in a basic way it's an overly cautious sequel'
Deadline's Pete Hammond praises the film as 'brilliant' and lauds the performances of the leads
The Times called it a 'messy, lifeless sequel' that 'didn't need to exist.'
'The director Todd Phillips said there would be no follow-up to the original, but he changed his mind and the result is a derivative musical,' the outlet's Kevin Maher wrote.
Allison Willmore at Vulture panned the movie, writing, 'Mostly, Arthur is acted upon, even when he thinks
he's seizing control — a punching bag for the world and, more importantly,
for the director, who subjects the character to so many indignities that he actually stops being
pitiable and starts resembling the punchline
to a very long, shaggy joke.
'By the end of Joker: Folie à Deux, that joke feels like it's on us.'
Joker: Folie à Deux is set to be released in theaters on October 4,
2024.
It is the much-anticipated follow-up to 2019's Academy Award-winning Joker, which earned more
than $1 billion at the global box office and remains the highest-grossing R-rated film of all time.
The second installment finds Arthur Fleck institutionalized at Arkham awaiting trial
for his crimes as Joker.
'While struggling with his dual identity, Arthur not only stumbles
upon true love, but also finds the music that's always been inside him,' a press release shared.
Lady Gaga
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